Harley Quinn: Chaotic S-Tier Heroine

Hi there, folks. I’ve got another one for you, and this one is all of the fanboys. That’s right; I’m calling on all DC comic, movie, and television fans, because I’m about to gush about the DC comics breakout star, Harley Quinn. Whether you’re familiar or not, Harley Quinn was famously known for her debut in Batman: the Animated Series, where she started off as the psychiatrist-turned-villain who teamed up with Joker who commit crime in Gotham, yada yada yada. Since then, the character has evolved beyond that, by standing out as own character outside of that shadow, and became one of the most fun and bad ass characters since Deadpool (a shout-out for any Marvel fans).

The character has been sweeping her way across all DC content this past year. She debuted in mainstream media and theaters this year with Margot Robbie as the titular character in Cathy Yan’s film Harley Quinn: Birds of Prey (don’t worry about the really long name they gave it at first). Harley Quinn also stars in the self-titled animated series that launched on the DC Universe streaming service. Both of which were so successful, that Warner Bros. already green lit a sequel for the film, and the animated series received a second season only a month or two after the first season aired. Harley Quinn’s animated series is already being brought to the Syfy network, and the film has already been released for video on demand, and both were highly praised by critics and fans. If we’re being quite honest, the only people who didn’t enjoy either iterations are the fans who view Harley Quinn’s character arc as SJW propaganda. That being said, I am not here to discuss that flawed logic, because even from an objective standpoint, Harley Quinn, film or television iteration, is a character that kicks ass in every aspect.

Many Sides to Harleen Quinzel

In the 2020 film Harley Quinn: Birds of Prey, we see Harley Quinn at a very interesting point in her character’s development. Margot Robbie plays the character in a point in her life in which she has left her psychology practice, became a part of Batman’s rogue gallery alongside Joker, was placed in a government sanctioned task force for expendable criminals, and finally gained her freedom in all sense of the word. As she descended into a downward spiral of insanity, the Joker took advantage of her devotion and love for him (granted, a delusional love, maybe even a distortion of Stockholm syndrome) and abused her physically, emotionally, and mentally, all for the sake of having another clown-themed lackey by his side. Even in the animated series that ran during the 90’s, we see examples of that abuse, despite the context shifted towards a younger audience; the abuse is apparent. The 2020 film shows the long-term effects of that abuse, after she finally breaks up with the Joker and embarks on her own solo journey.

Her True Origin Was Never at Ace Chemicals

In this live action iteration, she begins to learn what it’s like to step out of one’s shadow, and discover her own potential, from picking up roller-derby, getting her own cozy apartment in Chinatown, and exorcising her inner demons and tackling her trauma head-first by blowing up Ace Chemicals, where her ex bathed her in the acid that made them the way they are today. You know, typical post-breakup stuff. Of course, the film follows some other story threads, introduces the characters that would soon form the female-heroine group known as the Birds of Prey, and pits Harley against the infamous Black Mask (played by Ewan McGregor, for any Star Wars prequel trilogy fans). This film showcases exactly why Harley deserves to stand out on her own, way beyond being Joker’s sidekick, and way beyond being a part of the Suicide Squad. Hell, she received her own comic book series at DC more than a handful of times. She not only single handedly unites a cop, an assassin, a meta-human enforcer, and a thief together as a team in the film, but she also takes down the most terrifying and unhinged crime boss. Harley Quinn is a character whose origin was never based on the acid bath, or even her meeting, treating, and falling in love with Joker; her origin was always her earning her freedom. From Joker, from the law, from the crime world, and from the rest of the misogynist men who claim to own her.

“Because I’m Harley F*ckin’ Quinn!”

A true queen in every right. Margot Robbie reminded me why a character as chaotic and daring as Harley Quinn always deserved more exposure. Thankfully, after the success of her role in the movie industry, DC decided to push forward with an animated iteration of Harley Quinn in her own series on the DC Universe streaming service. With the humor and fourth wall breaks that make any Rick and Morty fan cackle in laughter, this version of the character not only highlights the character’s best traits, but justifies why she should’ve had her own series long ago.

Heads Up, Chaotic Clown Babe Comin’ Your Way!

This animated series takes a vastly similar approach when it comes to developing Harley’s character. It starts her off as Joker’s “partner” (I use that term lightly, seeing as they were never equals), committing crimes and fighting Batman in the name of love for Joker, only to find herself locked up in prison for a year, awaiting her clown prince’s rescue, which never happens. Instead, her best friend and one of Gotham City’s Sirens, Poison Ivy, breaks Harley out of jail. However, with any person in any toxic relationship, Harley goes right back to joker, to find herself making the same mistake she’s made over and over. After all, isn’t insanity just repeating the same thing, expecting a different end result each time? I’m sure Harley could tell you, since she’s got a degree in psychology anyway.

“Mistakes Were Made, but We Love You Anyway.”

Despite all of that, she eventually learns the same lesson that Margot Robbie’s Harley learns, in that with self-actualization of her own self-worth and potential, she can become her own top-tier villain in the DC Universe (for evidence, check out Sam Humphries Harley Quinn #45 from 2018, where she takes on Darkseid, the literal DC version of Marvel’s Thanos). She decides to break up with the Joker in an appropriate slaughtering of his clown goons, and teams up with her closest ally Poison Ivy, alongside Clayface, King Shark, and other goofball DC rogues. She grows, she evolves, and she continuously kicks ass in the show, embarks on the craziest set of journeys (more than was possible in the realistically grounded Birds of Prey film), and manages to earn her own freedom and respect as her own villain, or even anti-hero, the same way Robbie’s portrayal did. With the same support that the live action iteration found strength in allies and friends, the animated series shows Harley at her strongest when she has people she loves, and who love her too, backing her up.

This is What We Call “Growth.

So for anyone who believes Harley Quinn is just a character pushing some sort of feminist agenda, or can’t stand the sight of a Harley Quinn that isn’t sexualized by James Gunn or something, they are wildly misguided, and quite frankly, missing out on a hell of a fun time. Cathy Yan’s Harley Quinn: Birds of Prey shows the character’s independence from the Joker, and from outdated source material, to bring a fierce and gratuitously violent heroine to the big screens and mainstream media, for fans of action movies, comic films, or maybe just really tough and strong women. In the same way, DC Universe’s Harley Quinn series shows us a similar development of her character’s arc, while also providing genuine laughter and humor, proving that raunchy and adult humor is just as good, if not better, than other adult animated shows. Both at least deserve to be on your radar. I said 2020 would be an artistic renaissance, and this is just one of many examples of that truth.

Share This If You Stan Bisexual Villains, because I know I Do!

Thank you for coming to my Ted Talk, folks. Hope y’all enjoyed this piece. If anyone would like to spread some love to other artists and creators, I encourage y’all to check out a good from of mine who is making her own clothing, done entirely with crochet! Check out @beas_artesania on Instagram. Products are being hand-crafted as we speak, so if you’re interested, place your orders soon! If you’re in the Texas area, and you’re having your seasonal withdrawals from not seeing the Gypsy Dance Theater girls belly dance over at the Texas Renaissance Festival, then feel free to follow those lovely ladies on Instagram as well, over at @gypsydancetheatre. And, lastly, if you’d like to support your fellow freelance writer, and are unsure how to go about that, then I’d like to humbly welcome donations over at PayPal, which aren’t required whatsoever, but would drastically help improve the quality of the content I’m working to start up and create, from digital comics to an animated series, and of course, help keep this blog alive. Thanks again, readers. Much love comin’ your way. ✨🙏🏽💫

Another “May the Fourth Be With You” Post

Hello, America! Trying out new greetings during this time, and I admittedly also have reruns of the Bernie Mac show on in the background, so I choose to believe my intro is just me channeling the Return of the Mac (cue comedy rim-shot! *ba-dum-tst*🥴). Today also marks the first day of me officially launching this blog post on my site as a freelancer! So, we’re off to a great start this month as well. Taxes got filed, papers got processed, and the oil in the weird little machine mandating both resistance and compliance is, ya know, running. But it’s time we take another break from the heaviness and denseness, America, because today is a holiday. It’s Star Wars Day!

That’s right, folks, this is for all of the Jedi Padawans, Jedi Masters, or even the few Sith Lords who are “just misunderstood” (looking at y’all, Reylo shippers 🙄). Today, we are observing the impact of a franchise that started off as a sci-fi flick that even George Lucas himself expected to fail. Star Wars, starring Mark Hamill, Harrison Ford, and the late Carrie Fisher, was meant to be a one and done deal for Lucas, but fans were enthralled by world that had been built, the conflict that had been struck, and the battles won by the mystic monk-like space wizards known as the Jedi.

Now, I’m an avid sci-fi fan and casual Star Wars fan. I loved the original trilogy, mildly enjoyed the prequel trilogy, and I genuinely liked the sequel trilogy up until everyone became divided over the last film in the saga. At that point, I just didn’t bother watching it, and I had already been spoiled on the ending, and I truly am just impartial to it. In the words of the Han Solo himself-

May the Fourth Be With You, from Harrison Ford and I.

That being said, there is something I would love to highlight and talk about today, on this gloriously wonderful Star Wars Day. Whether or not you were a fan of the films, the extended universe created in novels and comics, or the amazing television shows, one thing fans could agree on is that Star Wars was always strongest when its driving force was family. Luke Skywalker was only able to become a fully powered Jedi, and go on the galactic journey that he did because of his friends and family. They were his support system, so to speak. Han was the strong, yet cynical friend who believed in Luke more than the Force itself. Leia was, well, his long-lost sister who’s Force-sensitivity helped guide the Rebels and the Resistance in the war against the Dark Side. Then you’ve got RD-D2 and C-3PO. They’re just two little robots that, in my head-canon, are in romantic relationship. Star Wars is a love story between these two droids and nobody can tell me otherwise.

Anyway, I digress; Star Wars is a series centered around families that support each other, and as the story branches out, we see how love and kindness, or rather lack of it, can shift an entire dynamic between a mentor and his pupil, like Obi-Wan and Anakin. All Little Ani needed was practice more unconditional love, and he wouldn’t have become the space nazi dark lord that he was, right? Or perhaps we see it in the lack of compassion that his Anakin’s son, Luke, showed for Ben Solo, aka, Kylo Ren of the Knights of Ren and the space neo-nazi dark lord. As the story shows the heroes prevailing on the side of the Jedi and the Force, those who were corrupted by greed, anger, and power, were victims of inherited trauma, essentially. Anakin is shown rejecting unconditional love and kindness in his hear, but finally opens his heart to compassion when he dies in the arms of his son. Fast forward chronologically in the Skywalker Saga, and that very same son, Luke, is now rejecting unconditional love and kindness to Anakin’s grandson, Kylo, who essentially channels the same anger and thirst for power that his grandfather fell victim to. Luke doesn’t find that unconditional love until he meets Rey, the new hero in this story. She also ends up saving Kylo’s soul the same way Luke did for his father, sort of breaking a chain or a cycle in the Skywalker lineage.

But you already knew all of that, didn’t you? Yeah, unless you’re a nerd like me, then this might’ve been a hell of a lot to digest. Fear not though, because this May the 4th can still teach everyone one thing; use the Force! Channel the Force, and reject anger, and greed, and power. Instead, open your heart up to love the same way Jedi open their heart up to the Force, and perhaps then you will find your support system as well.

The Sickest Fight in the Entire Saga. Period.

Anyway, that’s all I’ve got for y’all today, folks. I’m using the theme of family to work on my upcoming story, The Dark Within Us, and in the meantime, I hope everybody enjoys whatever Star Wars fun y’all are having today. May the Fourth Be With You! 💫 Be safe, and stay lovely, folks. Until next time. Peace.✌🏽

“Stars and Monsters: Tales” Announcement

Hiya, folks! I’m finally back! I wanted to post an update about some things on this blog, with how I’m going to organize things here and how regularly I’m going to post. I only realized I needed to do this because I had two weeks where I had started posts for Stars and Monsters, one Arrow related and one Bojack Horseman related, and failed to finish either, and have spent what free time I do have working on these projects that I’ve hardly mentioned. That being said, this post will also address what these projects exactly are and such!

In regards to the weekly post format, I may have to just start posting whenever I’m available instead. I found myself struggling to meet my “post-every-Wednesday” schedule and end up posting, you know, weeks later or something. Also, I don’t always post on Wednesdays either, so posts will just start coming periodically. And with that, I want to share what has been keeping me busy these past few weeks!

The Dark Within Us is my upcoming fantasy sci-fi story on Wattpad. It follows 17 year old Ronnie Reid, a kid from Chaseville, California, as he joins a band of monster slayers on a journey through a hidden dark world. It’s sort of going to be like a novella, one that touches on what it means to find a family, and to discover the truth about your life for the first time ever. This is going to be the first part of a trilogy that follows Ronnie and the rest of his family as they encounter entities of darkness and evil in the world. So far, part one of this trilogy is in its early stages of development, with a prologue available to read on Wattpad for free right now!

Beat Inside My Soul is an upcoming sci-fi animated series that follows a group of teenage ravers who gain the ability to weaponize sound from a new deadly party drug. The teens, led by by thriving DJ Simon Bates, unite their abilities and efforts to stop a drug epidemic. With the story in the final stages of development and in the early draftings of the screenwriting process, I am also reaching out to animation designers, musicians, dancers, and other artists to help develop visuals for the animated series. My hope is to have a finished script for the pilot pitched to animation studios or streaming services like Netflix.

“Anomaly” is an upcoming sci-fi superhero comic series that follows Seth Gibson, along with his best friend Jordan, and his little sister Reina, as he learns to harness his newly discovered ghost-like abilities, and fights to take down a local street gang called Erebus and their leader, Adonis. This crime action series touches upon trauma, sexuality, addiction, and other themes. Once I’ve secured artists to work on at least the first comic issue, I hope to pitch the series to some comic book publishing company, or perhaps just post online as a web comic, maybe on Webtoons.

These stories all take place in different points in time, with The Dark Within Us having early 2000s setting, Beat Inside My Soul taking place in the 2010 era, and Anomaly taking place in the 2020s. At some point, these stories will address their connections with one another.

With these projects being lined up, along with this blog, I’m going to start posting updates on each of these stories through this blog, with the occasional fanboy posts about other stuff being released! One that I’m excited to write about is Harley Quinn – both the new movie AND her animated series in DC Universe. We’ll also talk about other stuff, other music, shows, and Doctor Who too! OH GOSH Doctor Who is so good right now.

Anyway, out of the two projects, I do have one chapter up for The Dark Within Us and a link to music for Beat Inside My Soul, which also just features my music made under SyckBeat. There is one song, a mashup, made for the animated series posted on there as well, so check that out! Will post again soon when I can. Thank you, everyone, for keeping up with my erradict posts and all that jazz! Stay amazing, folks! ✨

So, a Mandalorian and a Witcher Walk into a Bar…

Greetings! Hope everyone had a lovely holiday season. Classes start up again soon, and people are getting back into the work grind, and I have been ITCHING to get through the week and find time to write another post. I was debating what the first post of the year should be about, but after having went through all of The Witcher on Netflix and slowly watching The Mandalorian on Disney+, I realized what I had to talk to you guys about.

It’s no secret that these two shows started to take the world by storm, really. With Disney+ being a big step as far as streaming services go, getting all of the content that Disney now owns onto one platform for families was exciting. That being said, majority of the content really is just for families. Like, The Simpsons are there, and it might be the only FOX property as far as I know (which is weird because they don’t even have FOX’s X-Men movies or anything, just their old cartoons), but majority of the content really is tailored for family oriented viewers and, like, a stupid amount of unscripted series and documentaries. Like, this might very well be a streaming service for your grandparents. That being said, Jon Favreau’s The Mandalorian fits in that demographic and then some, seeing as it’s an expansion of Star Wars lore (your grandparents’ franchise), while also creating a solid and enjoyable series for fans who pretty much know nothing about Star Wars. I’ve considered myself a casual fan of the series, having seen all of the movies excluding the latest (just haven’t had time), and I absolutely adored The Mandalorian.

“It’s easier to lie with this helmet on.”

There are really two kinds of viewers watching the show who know nothing about Star Wars. You’ve got people who start the series because of the hype it’s gained and go in entirely blind and find that they really can enjoy it without all of the context of the Star Wars universe, because what’s needed to be understood is in the series anyway. You’ve also got the people who want to watch the series, but believe that watching the Star Wars movies will enhance the experience and is almost required. That being said, I don’t think that’s the case, and I think that’s what made this series a real treat.

“This isn’t much of a Star Wars easter egg but rather more of an E.T. reference.”

On the other side of the nerd spectrum, you have fans raving about Netflix’s The Witcher. Now, not much needs to be said about Netflix at this point, it’s been around, it might always be around, and right now it’s Disney+’s biggest contender (sorry DC Universe, maybe just market your service a little better, because I’ve only ever seen ads for Harley Quinn on Adult Swim, and that’s after the platform has been out for over a year), and most of their credit goes to Lauren Hissrich’s The Witcher being one of the most streamed shows to date. That title also went to The Mandalorian for a while, both of which topped Stranger Things, which is a pretty big accolade to earn. Now, when it comes to viewing The Witcher, which is based off of a video game series that is based off of the book series, it kind of feels difficult to encourage anyone to say that they need to go to the source material to enjoy the series, because that’s not the case. I didn’t play the games, even though they seem super rad, and I haven’t read the books either, but this show was REALLY neat.

“I just think it’s neat!”

That could have something to do with the queer subtext I got to enjoy between Geralt, the titular character of the series, and Jaskier, the bard who would GLADLY toss a coin to the Witcher’s taut ass, or just seeing Henry Cavill shirtless that many times (as opposed to a dude who literally never removes his armor). It could have also been seeing these female characters completely owning the series, more so than Geralt himself sometimes, especially when there’s SO MANY OF THEM! I didn’t know who I desired to kick my ass more, the Princess Ciri, her dope (but arguably racist) grandmother and Queen Calanthe, Yennifer the Witch, or Renfri, the chick from the first episode that never come back (she might’ve been my favorite, hot take!)

“Well, I can’t think of any reasons why we SHOULDN’T have sex…so there’s that.”

There was a lot to enjoy in both of these series. A lot of which the shows have in common (sexy angsty freelance dads earnin’ big bucks while becoming adoptive fathers), but that isn’t to say that these shows don’t have critical differences (like one being in space and the other being in a fantasy realm).

Both The Mandalorian and The Witcher both feature protagonists who embody the warrior archetype; they both are seemingly the last of their kind, and carry the weight of that with them, which leaves these two with walls built between them and other people. They have been betrayed, and have had their trust broken, and now live their lives as nomads who kill for coin and credits, leaving a trail of bodies in their wake and tales of their endeavors told in rumors and songs. That is, until their journeys go from simply taking jobs in self-contained anecdotes to bringing children into Mando and Geralt’s arms. Mando is tasked with killing the child, but he’s not a heartless monster, so he decides to save the child! Geralt has no intention of having a child, but he sort of stumbles his way into becoming a godfather of a princess in comedic Stooge fashion.

Now, the only reason I’m not writing about how these shows are pretty much the same thing as one another and giving them shit for it is because, well, these shows really aren’t the same at all, despite the warrior-dads thing. And yes, it goes beyond the surface and is more than just the sci-fi and fantasy aesthetics. In terms of what the shows do, they have episodes that each focus on a singular event occurring, like, “The One About The Prison Break In Space”, or “The One Where I Join A Quest To Slay A Dragon”, which makes it feel as though each of their eight episodes truly are a single chapter, or a peek into these character’s lives in a journal of sorts. The structures of these shows are what really get me. In The Mandalorian, Mando doesn’t meet the child until the end of the first episode, which is sort of the inciting incident, but from there, the story progresses forward in a way where time isn’t necessarily tracked, but we know that everything is occurring sequentially. It doesn’t feel as though there are big gaps or time jumps between scenes or episodes aside from, but we don’t really get much detail as to how much time has passed. This doesn’t make for a jarring experience, though.

However, when one is viewing The Witcher, we are watching Geralt’s story occur, along with Ciri and Yennifer, two of the wonderful female characters I mentioned earlier. Now, each of these three characters’ stories all start at a certain point. Geralt’s story starts with him meeting Renfri in a village. Yennifer’s story starts with her as a hunchback being sold to witches and inducted in their academy of sorts. Ciri’s story starts with her fleeing her kingdom after it is conquered by an enemy kingdom (who don spooky black armor that couldn’t scream “we’re the bad guys” any louder). Now, as these stories progress throughout the episodes, there’s a lack of an overlap until a certain point. Like, we’re seeing things happening to Geralt, and to Yennifer, and to Ciri, and they all go places and do things, and for a while, we’re like “huh, when do they…?” and then we start to get to points where certain characters that, say, died in certain episodes reappear later, and interact with Geralt, or Yennifer, or Ciri (the Big Three, so to speak), and then it starts to dawn on us…the show’s structure isn’t linear at all.

See, that’s what got me. The Witcher is told from three perspectives, all of which pretty much start at different points in time, and only one of which is actually taking place in the present. This isn’t explicitly clear right off the bat, which might’ve confused some viewers, and would’ve upset me if it hadn’t all come together by the finale. It isn’t until the last episode that we see these three characters make it to the same point and place in time (and no, I don’t mean TIME TRAVEL, that’s another post I’m writing soon). The last episode is also when we finally get a child in Geralt’s arms, which is a wild contrast to Mando’s parental journey. One gains a child by the start of the show, while one gains a child by the end. One follows a linear plot, and the other jumps between years in the story. Favreau and Hissrich both follow drastically different writing structures, but somehow utilize wildly similar formulas in how their protagonist’s arcs progress, which in turn has created the new archetype we all love and appreciate now: grumpy warrior dad!

“Bonus eye candy: Aunt Cara shows us her GUNS!”

Anyway, that’s all I really have. I’m not over here writing essays, so this might be the cleanest wrap-ups I will write for a while. If you’re wondering which of the two my favorite was, it’s pretty close, but I’d have to go with the show with the dude who was naked more often (Sorry, Disney, your family-oriented marketing is wholesome, but that’s all it is). But in all seriousness, The Witcher is a series I went in completely blind for, which might of left me with a lot less expectations than I did for The Mandalorian. I knew Star Wars, so I might’ve expected a certain type of show, and despite thoroughly enjoying the series, The Mandalorian never made me go WOW (except scenes showing off Cara’s guns…as she holds her rifles and stuff). I did go “aw” a couple of times, but that’s what I’m talking about. It wasn’t saucy like I had hoped. The Witcher scratched that naughty itch for me, while also having me go “WAIT A MINUTE” when the plot lines converged, leaving me pleasantly more entertained than the former. That’s just my hot take, and anyone else’s take is just as valid! Let me know some of your thoughts. Stay lovely, folks!

(Sorry, I don’t have a punchline for the title. Maybe comment some if y’all think of one.)

A Blog by Sameer Diab

Hey there! It’s like the blog says. My name is Sameer Diab, and if you stumbled across this page, you’ll see what I’m all about. I’m a freelance writer and musician. I’ve been making content for almost ten years, but after all this time, I have finally gotten around to placing all of my original content in one place. All of my writing, both fictional and fan-fictional (some of you will eat that up), and all of my music, both original tracks and bootleg remixes, will be found here on this site. On this blog, I’ll be posting my creative content, but old and new, and also cover new shows, movies, books, and a whole lot of good stuff. Stay tuned!

Stay Lovely – ya boy