Scissor Seven: High Action, Mellow Vibes

Hi, folks! I’m back, after a long week and an even longer Wednesday. After the blog was updated late last week, I had hoped to get back on track with uploading weekly every Wednesday. That being said, I officially have been brought back into my day job and am back as a full time employee, er, essential worker, whatever you’d like to call it. With that, my blog’s weekly schedule with be a little less consistent, but ideally will still be occurring weekly. I have more of a fluff piece over a fluffy animated series. This one is a neat little Mandarin anime, a Netflix Original titled Scissor Seven.

Scissor Seven – A Hardcore Slice of Life Shonen

Mild Spoilers Ahead!

I’m sure at least one of my readers is going to ask themselves “Gee, I wonder where this guy found this obscure anime?” and to be quite honest, there’s always this innate urge to delve into something obscure. For some, that may be Neon Genesis: Evangelion, or maybe it’s Cowboy Bepop, or even the wickedly metal and weird anime series Devilman. Today, after it’s remarkably well received second season debuted, I decided to shed some light on the beautiful obscurity that is Scissor Seven. It follows the lead, Seven, as he makes his way as a skilled barber and aspiring assassin, with his telekinetically controlled pair of scissors, as he pairs up with Da Bao (Seven’s mentor, also is a chicken) and other wacky characters, ranging from quirky Chicken Island locals to dangerously armed foes and cyborg scientists. Despite the action set pieces and epic clashes executed in each short episode, the series also delivers lighthearted humor and witty casual storytelling.

A Peek at the Comfort Show

On paper, Scissor Seven may not make its targeted audience very clear to most viewers, but that’s the beauty of the series; it’ll draw you back in time after time with a laid-back narrative and goofy plot points, but the fun kind! It’s not like the show is comprised of filler or anything, because the stakes never arise from the high tense action sequences. No, no, that’s the misconception of this slice of life animated series. No, the scenes with the most impact are usually the quieter moments, the calmness and the relaxing aspect that comes from a series that pokes fun of itself, while also creating heartwarming character development. It comes from moments like Seven using his expertise in cutting hair and assassinations to cut a young bride’s hair on her wedding day, or turning down the contract to kill a young girl, whose solution to her terminal illness was to hire a killer to put her out of her own misery. Little things like this. It really tugs at your heartstrings in the best way possible.

A Series that Has Fun With Its Action

Some of the best action sequences are the ones where the animation artists have the most fun with it. You can see the passion put into a project like this anime, and it definitely shows from the immense creativity put into shots, like the one above. A duel in which Seven utilizes a friend/rival of sorts to take on an enemy in classic Street Fighter style art, or a guitar playing dog named Mad Bark using rock as a form of fighting, are just a few of the awesome creative directions that this series has taken to make the “Shonen” aspect of the series some of the best content I’ve seen in a really long time.

An Endearing Presentation of Art

This show has the prettiest presentation of artsy shots like this one up above, and even better music, namely Mad Bark’s romantic rock ballad that he sings to his feline love interest, and the intro/outro music themes. After having binged the entire first season, you can see how the team behind the series can manage to create such gorgeous set pieces and wonderful music without the largest budget in the world. This ain’t no Naruto or My Hero Academia, but it’s a darn good series that can rival those shows by its execution in art alone.

Action as Pretty as its Designs

Now, with the “slice of life” aspect covered, let’s talk about the action that satiates my hunger for stone-cold anime fights. Again, this isn’t a typical Shonen written by a big budget studio. That being said, the animation team does not hold back when creating action sequences to remind you of why you stuck around in the first place. The action is seamless, the music is always perfectly matched with the stunt choreography, and the variety of characters and character designs allow for the writers to utilize consistently fresh action after every 12 minute episode. Between each type of fighter that is introduced in the series, there is at least enough character development hold up at least four seasons of this action anime, with the slice of life aspect drizzled all over, and to be quite honest, I hope this series continues with the most success. Give it a peek if you’re able to on Netflix, because if this show didn’t already cross your radar at some point this year, it definitely needs to be.

Scissor Seven: Season 2 Now Streaming

Hope y’all have been doing alright, as well. Times are really weird right now and we’re all doing what we can do v i b e 💫 and decompress to relax. If any of y’all are looking for a good Twitch stream to check out some chill vibes and fresh gameplay of things like Fortnite, y’all gotta check out my boy at twitch.tv/drippyxthree. I also have a new song out, the first time I’ve done any music in 2020! It’s a new wave, folks, and it’s always good to mellow out the best y’all can. Stay safe, and stay toasty, y’all 🤙🏽

Super-Gods, Sick Mixtapes, and a Surreal Universe: Leaders of the Free World Review (#1 – #2)

If Gods blessed you with powers, would that make you one? Or does that just place you on a tier-level below the source of your abilities? It’s okay, don’t dwell on the existential question for too long, because thankfully we’ve got the answers for you. Hi, folks, and thank you for being patient with this anticipated post (just getting back to the day job grind) and welcome to my first ever Official Stars and Monsters comic review!

I was honored to be offered an opportunity to review the comic series Leaders of the Free World by one of the creative minds behind it, Corey Pruitt (better known as Task on Twitter) and quite frankly, it might have been the one of my most exciting experiences since the initial launch of this blog. Task is not only a comic writer, but also a podcast host on Supersuit Show, but also a major source of influence in the vortex that is the comic twitter community (Spider-Man fans hate Spider-Man, it’s the truth!) Task allowed me to preview his first two issues of his series, drawn by Elijah Johnson (also known as @artbyatlas0 on Twitter), and share some of my thoughts on Leaders of the Free World #1 and #2. So without further ado, let’s jump right into it!

Leaders of the Free World #1 – “A Surreal World”

I dove right into the first issue with the same initial thought that new readers to any series worry about; “Will I be overwhelmed by the world that was built before me?” I suppose the breakdown of the Free World mythos stems from the origin of the Godsend, a group of super-powered gods who arrived to the planet, each instilling themselves in one nation, and essentially committing to their nation’s image, government policies. In return, the Godsend provided tech and knowledge to help advance the world, which inadvertently birthed a new generation of super-powered beings: the Archetypes, a less powerful group of people who created more conflict than safety in the world. After a war killed a third of the world’s population, the Godsend issued laws to limit an Archetype’s activity to only their respective country. This is the lore of Leaders of the Free World.

This series starts with an excellent brief look at the world’s history in the form of a history class, narrated by Surreal, a teenage Asian-American descendant of the an ancient god known as the Monkey King. He fits every relatable aspect of being a teen whose heritage holds more power than they realize. With great power comes great responsibility, and thankfully, we don’t have another Uncle Ben-esque character to reminds Surreal of that. Instead, he meets Eco, the Son of Gaia, who is a superstar wrestler with abilities drawn from, well, Gaia. When these two characters meet and share scenes together, there’s definitely an undeniable chemistry between the two when it comes to the hilarity in their bantering back and forth, and Eco’s unconditional support towards Surreal. The young Monkey King doesn’t know his own true worth yet, and thankfully, the powerful and wise Eco stands beside him from the very beginning, showing a kind of trust that makes me reminisce about the days when Luke Cage and Iron Fist teamed up in Marvel’s Heroes for Hire series.

“Timber”, Eco’s wrestling signature move. Also named after my dog.

As I continued through the issue, I enjoyed the spotlight on these two characters a lot, while also finding myself more enthralled by the joy in seeing Surreal’s old school hip hop playlist scattered across text-boxes in the comic. It creates an entertainingly new and fun experience in a comic book that feels as authentic as a classic comic series as you go through each panel. It was one of the things I was most excited about discussing with Task. When asked where the inspiration for this came from, Task said, “I always listen to music when I write. So I thought ‘What if each issue had its own soundtrack?’ It’s a way for the reader to see where my headspace was at during the creative process.” Nicely done, Task. We love it.

One of my other favorite story threads in this issue specifically included the introduction of Moonshine, the wildly erratic and drunken female superhero whose abilities appear to rival even Superman. It was just one of the many things I enjoyed in this first issue, and I could easily list more, but I have LOTS more to gush about!

Leaders of the Free World #2 – The Beginning’s of Freedom

Aright folks, this is my favorite issue of the two for sure! In Leaders of the Free World #2, we are introduced to my absolute pairing of characters in this set universe. Like Ying and Yang, we meet Medic and Doctor Seance. Medic is, well…if God was a woman, to put it perfectly. As an angel of war and peace, she’s a balance between life and death. In nothing but merely scrubs, she manages to kick enough ass to make Jessica Jones second guess her career as a comic book badass. Alongside her is Doctor Seance, an evil necromancer whose character visual design homages aspects of Robbie Reyes’s Ghost Rider, with a symbiotic relationship to Medic like that of Venom, and a sinister and calculating villain mind that crosses between Lex Luthor and the Batman Who Laughs. These two characters, joined together by a holy and flaming halo over Medic’s head, embark on a quest to join the other lead heroes as they prepare for a crisis of epic proportions.

This, however, prompted me to ask Task about the bonds between the various characters, like the development between Surreal and Eco, or between Medic and Doctor Seance. Task’s response was, “When I came up with the characters I had to ask myself ‘Who would get along the most? Who would hate each other?’ Surreal and Eco are both mythical beings born into a life that they never asked for. So they relate to each other the most. Medic and Seance have history that will be explored throughout the series. I don’t want to reveal everything now but let’s just say you will be surprised.”

Comics can mend ya heart, kid.

As I continued on in this issue, completely enthralled by the concept of Medic and Doctor Seance (and Surreal’s Mix scattered through this issue as well to help set the tone), we soon learn more about the hardships that some of these characters hold in their personal lives. Medic, being a superhero and all that, is still a medical doctor, and has a duty to both the world she saves and the world she inhabits. When she turns to work from battle, she unfortunately fails to save her patient’s life. She storms out, completely broken, and her coworker consoles her by stating a sad, but accurate fact of life. She says, “You can’t save everyone all the time.” When I read this comic panel, it was then that I knew this was going to continue to become a really powerful story, with a really exceptional writer behind this stunning and beautiful line work. And, just as the moment on the page was beautifully had, it was interrupted by a beautifully nostalgic shot…

*CUE FREEZE FRAME*

FREEZE FRAME!

The story returns to the initial group, with Surreal. Eco, Tech-Neek, and Moonshine briefly meeting, but it’s just as an invasion brews in the sky above them. From that, to their hilarious first encounter with Doctor Seance, we get really funny dialogue, awesome action sequences, and super dope nostalgic homages to things in nature of, say, giant mechas, or Power Rangers, or maybe even Dragon Ball Z, or just plenty of West Coast classics to keep the action seamless like a swift breeze under Surreal’s feet. Another one of my favorite shots out of this back half of this issue is most definitely Eco’s greeting to the invaders, known as the ominous Outreach. We get some top-tier Samoan representation, some more amazing character moments amidst the action, and an epic finale shot that may tease an epic clash between two of the most powerful beings on the team. Both beautiful and strong women, might I add.

One of my last questions, more of a fanboy-gushing moment, was me asking about what could be teased to other fans of this series, whether it be epic shonen-styled fight scenes between certain highly powerful characters, or the brief tease of the mysterious Mr. Excellent. Task answered with, “I’m trying to make this world seem as big and alive that I can. And that there’s more going on than what is happening in the books. Mr. Excellent’s story will lead to another story arch that I am excited to share. And it’s funny how you brought up the fights with Lunar because let’s just say she’s not entirely sold on the idea of this team up yet. Where she comes from she reigns over these beings, not collaborate with them. Issue 3 is on the way folks. Stay tuned.”

Well done, Free World. You have a special place in my love for comics now, and I cannot wait to see what an amazing franchise this becomes soon.

A Cybrogi. That’s it. ‘Nuff Said.

No weekly plugs this week, folks. Not like I usually do, I mean. No, all I want to suggest to my readers is to check out this new comic book ASAP. This is seriously one of the most enjoyable comic reads I’ve had in a very long time, for sure. It’s pretty amazing, and the series is available on Comixology right now, or, if you’d like, you can follow the writer @uptotask, or the artist @artbyatlas0 on Twitter.

Keep Your Eyes Peeled for Leaders of the Free World #3!

Switchin’ up my outro like I usually do too, folks. This time, I’m quoting Gamer Presidential Candidate, Mr. Ace Watkins.

*ahem*

Not solo; squad.

Harley Quinn: Chaotic S-Tier Heroine

Hi there, folks. I’ve got another one for you, and this one is all of the fanboys. That’s right; I’m calling on all DC comic, movie, and television fans, because I’m about to gush about the DC comics breakout star, Harley Quinn. Whether you’re familiar or not, Harley Quinn was famously known for her debut in Batman: the Animated Series, where she started off as the psychiatrist-turned-villain who teamed up with Joker who commit crime in Gotham, yada yada yada. Since then, the character has evolved beyond that, by standing out as own character outside of that shadow, and became one of the most fun and bad ass characters since Deadpool (a shout-out for any Marvel fans).

The character has been sweeping her way across all DC content this past year. She debuted in mainstream media and theaters this year with Margot Robbie as the titular character in Cathy Yan’s film Harley Quinn: Birds of Prey (don’t worry about the really long name they gave it at first). Harley Quinn also stars in the self-titled animated series that launched on the DC Universe streaming service. Both of which were so successful, that Warner Bros. already green lit a sequel for the film, and the animated series received a second season only a month or two after the first season aired. Harley Quinn’s animated series is already being brought to the Syfy network, and the film has already been released for video on demand, and both were highly praised by critics and fans. If we’re being quite honest, the only people who didn’t enjoy either iterations are the fans who view Harley Quinn’s character arc as SJW propaganda. That being said, I am not here to discuss that flawed logic, because even from an objective standpoint, Harley Quinn, film or television iteration, is a character that kicks ass in every aspect.

Many Sides to Harleen Quinzel

In the 2020 film Harley Quinn: Birds of Prey, we see Harley Quinn at a very interesting point in her character’s development. Margot Robbie plays the character in a point in her life in which she has left her psychology practice, became a part of Batman’s rogue gallery alongside Joker, was placed in a government sanctioned task force for expendable criminals, and finally gained her freedom in all sense of the word. As she descended into a downward spiral of insanity, the Joker took advantage of her devotion and love for him (granted, a delusional love, maybe even a distortion of Stockholm syndrome) and abused her physically, emotionally, and mentally, all for the sake of having another clown-themed lackey by his side. Even in the animated series that ran during the 90’s, we see examples of that abuse, despite the context shifted towards a younger audience; the abuse is apparent. The 2020 film shows the long-term effects of that abuse, after she finally breaks up with the Joker and embarks on her own solo journey.

Her True Origin Was Never at Ace Chemicals

In this live action iteration, she begins to learn what it’s like to step out of one’s shadow, and discover her own potential, from picking up roller-derby, getting her own cozy apartment in Chinatown, and exorcising her inner demons and tackling her trauma head-first by blowing up Ace Chemicals, where her ex bathed her in the acid that made them the way they are today. You know, typical post-breakup stuff. Of course, the film follows some other story threads, introduces the characters that would soon form the female-heroine group known as the Birds of Prey, and pits Harley against the infamous Black Mask (played by Ewan McGregor, for any Star Wars prequel trilogy fans). This film showcases exactly why Harley deserves to stand out on her own, way beyond being Joker’s sidekick, and way beyond being a part of the Suicide Squad. Hell, she received her own comic book series at DC more than a handful of times. She not only single handedly unites a cop, an assassin, a meta-human enforcer, and a thief together as a team in the film, but she also takes down the most terrifying and unhinged crime boss. Harley Quinn is a character whose origin was never based on the acid bath, or even her meeting, treating, and falling in love with Joker; her origin was always her earning her freedom. From Joker, from the law, from the crime world, and from the rest of the misogynist men who claim to own her.

“Because I’m Harley F*ckin’ Quinn!”

A true queen in every right. Margot Robbie reminded me why a character as chaotic and daring as Harley Quinn always deserved more exposure. Thankfully, after the success of her role in the movie industry, DC decided to push forward with an animated iteration of Harley Quinn in her own series on the DC Universe streaming service. With the humor and fourth wall breaks that make any Rick and Morty fan cackle in laughter, this version of the character not only highlights the character’s best traits, but justifies why she should’ve had her own series long ago.

Heads Up, Chaotic Clown Babe Comin’ Your Way!

This animated series takes a vastly similar approach when it comes to developing Harley’s character. It starts her off as Joker’s “partner” (I use that term lightly, seeing as they were never equals), committing crimes and fighting Batman in the name of love for Joker, only to find herself locked up in prison for a year, awaiting her clown prince’s rescue, which never happens. Instead, her best friend and one of Gotham City’s Sirens, Poison Ivy, breaks Harley out of jail. However, with any person in any toxic relationship, Harley goes right back to joker, to find herself making the same mistake she’s made over and over. After all, isn’t insanity just repeating the same thing, expecting a different end result each time? I’m sure Harley could tell you, since she’s got a degree in psychology anyway.

“Mistakes Were Made, but We Love You Anyway.”

Despite all of that, she eventually learns the same lesson that Margot Robbie’s Harley learns, in that with self-actualization of her own self-worth and potential, she can become her own top-tier villain in the DC Universe (for evidence, check out Sam Humphries Harley Quinn #45 from 2018, where she takes on Darkseid, the literal DC version of Marvel’s Thanos). She decides to break up with the Joker in an appropriate slaughtering of his clown goons, and teams up with her closest ally Poison Ivy, alongside Clayface, King Shark, and other goofball DC rogues. She grows, she evolves, and she continuously kicks ass in the show, embarks on the craziest set of journeys (more than was possible in the realistically grounded Birds of Prey film), and manages to earn her own freedom and respect as her own villain, or even anti-hero, the same way Robbie’s portrayal did. With the same support that the live action iteration found strength in allies and friends, the animated series shows Harley at her strongest when she has people she loves, and who love her too, backing her up.

This is What We Call “Growth.

So for anyone who believes Harley Quinn is just a character pushing some sort of feminist agenda, or can’t stand the sight of a Harley Quinn that isn’t sexualized by James Gunn or something, they are wildly misguided, and quite frankly, missing out on a hell of a fun time. Cathy Yan’s Harley Quinn: Birds of Prey shows the character’s independence from the Joker, and from outdated source material, to bring a fierce and gratuitously violent heroine to the big screens and mainstream media, for fans of action movies, comic films, or maybe just really tough and strong women. In the same way, DC Universe’s Harley Quinn series shows us a similar development of her character’s arc, while also providing genuine laughter and humor, proving that raunchy and adult humor is just as good, if not better, than other adult animated shows. Both at least deserve to be on your radar. I said 2020 would be an artistic renaissance, and this is just one of many examples of that truth.

Share This If You Stan Bisexual Villains, because I know I Do!

Thank you for coming to my Ted Talk, folks. Hope y’all enjoyed this piece. If anyone would like to spread some love to other artists and creators, I encourage y’all to check out a good from of mine who is making her own clothing, done entirely with crochet! Check out @beas_artesania on Instagram. Products are being hand-crafted as we speak, so if you’re interested, place your orders soon! If you’re in the Texas area, and you’re having your seasonal withdrawals from not seeing the Gypsy Dance Theater girls belly dance over at the Texas Renaissance Festival, then feel free to follow those lovely ladies on Instagram as well, over at @gypsydancetheatre. And, lastly, if you’d like to support your fellow freelance writer, and are unsure how to go about that, then I’d like to humbly welcome donations over at PayPal, which aren’t required whatsoever, but would drastically help improve the quality of the content I’m working to start up and create, from digital comics to an animated series, and of course, help keep this blog alive. Thanks again, readers. Much love comin’ your way. ✨🙏🏽💫

A Mother’s Strength – A Love Letter to All Moms

Hi, folks. Welcome back! Just your friendly neighborhood vibe-loving mystic sage back with another message from the stars! Or, if you prefer, just another self-proclaimed freelance writer writing to celebrate Mother’s Day today. That’s right, folks, this one goes out to your moms out there.

Made This Arrangement For the Mothers in Our Lives

This is a love letter to all moms; all moms who, today, feel incredibly special, but tend to later forget how special they are.

This is for enduring the nine months of childbearing, stomach-kicking, and craving-inducing babies that moms goes through.

This is for the cradling and rocking of our infant selves as we quiet our cries, to bask in the sound of a sweet motherly song.

Thanks, for if it weren’t for you, we’d have one less pair of shoulders to cry on when needed.

Thanks, for the warm hugs as we say goodbye and goodnight at the end of each day.

And thanks, for the sweet relief of inviting scents of delicacies and warm treats for us at the start of each day.

This is for tilting our chins up, when we are uncertain, as we are reassured with a gentle smile.

This is for being the backbone of our lives, as we struggle, and eventually, continue to build the foundation of ourselves.

This is for those who walk alongside us, with care and kindness, as we embark onward without a clue in the world.

And even when the lights are turned off, and trifling terrors and malicious menaces haunt our naive selves, mothers somehow show us the light within the dark.

The stars, and the moons, and all of the celestial bodies up above, and somehow, each of us found a mother.

Mothers, motherly souls, and others who have adopted the mom-aesthetic to carry out the strength and love that have helped us grow, blossom, and rejuvenate this world,

This is a love letter to you.


Those who are lucky enough to be with their mom today, hug them a little tighter today. I want to help share this with anyone who is struggling right now. Spread this message that’s encoded with love, kindness, and an energetically charged motherly hug to those who may or may not be able to see their mother today. I promise you, they love you. And they’re with you. ✨💫

Happy Mother’s Day

Vicious Rivals and Endless Dreams: A Look at Potential

Happy Wednesday, folks! I hope everyone is enjoying their time right now, making good use of their energy and efforts these days. May has just started, and Mother’s Day is around the corner, and with that, I hope everyone is able to reach out to a loved one, where ever they may be. Nobody is ever completely out of reach, if we reach out just a little. With a few moments out of our day to check up on friends and family costs nothing, and it’s important to open up just a little bit more. That’s my message to my readers this week. If we just open up our hearts a little bit more, I promise, we’ll all be that much more happier.

Now, with the sappy stuff out of the way, I wanted to shine a spotlight on some creative works that I found myself completely mesmerized by with this week. Granted, one of these is a novel that I had already read, but just came across when my sister was cleaning out her room. It’s an amazing piece of science fiction in the YA genre of literature, and dare I say might be the juiciest and sexiest crime thriller around as well. I pitched it to my sister as “Professor X vs. Magneto” meets Grey’s Anatomy, but, she’s busy watching Money Heist on Netflix. For those of you who know exactly what book I’m talking about, I just want to thank y’all for putting me onto this series. I love y’all!

The book is Vicious by V.E. Schwab, first of her Villains series and predecessor of Vengeful. It’s so lovely how dark this tale is, while taking readers on a suspenseful journey across a gritty comic-book-styled world. The story follows Victor Vale and Eli Ever, two college roommates and medical students who explore the possibility of near-death experiences being the catalyst that can awaken superhuman gifts within them. As the two embark on this journey as academic rivals, they become obsessed with the results, leading to a battle between the two brilliant minds as they use their newfound abilities to destroy one another as arch-nemeses.

If anybody has read this book, then you know why it’s such a highly recommended novel. Along with V.E. Schwab’s wonderful writing style, development of the characters in her stories, and the sheer scope of the superhero dynamics she explores in the series, it’s also just a hell of a great time for any fan of revenge thrillers. 10/10 coming from me, folks! And if you aren’t interested, then we can at lest admire these gorgeous covers.

I, personally, was drawn into the series by the premise of unlocking newfound abilities through pushing one’s self to the brink of death, and to be brought back with a new breath of life. Vicious doesn’t dwell heavily on the sci-fi aspect of the abilities by allowing Victor and Eli’s medical student backstory to help ground the concept in a realistic scenario. That being said, I found the unique look at a human’s untapped potential to become superhuman in Vicious vastly more fascinating than, say, a radioactive spider, or “You’re a lab experiment, Rogers; everything special about you came out of a bottle.” (Yes, I’m calling Marvel out, let the Disney overlords take me away.) There’s something truly extraordinary about the possibility that, in order to become the more capable version of ourselves, all we need to do is dare to explore scientific experimentation in a trial and error fashion, while also gambling one’s own life. That’s what the two characters, Victor and Eli, end up doing, but with completely diametrically opposing mindsets and viewpoints. At the start of the novel, Victor is a lonely cynical atheist, whose trust issues stem back to his absent parents, while Eli is a loving and passionate young man, whose big heart is a result of his devotion to a righteous God. As the two’s philosophies and beliefs contradict one another, they test the theory with less interest in the ramifications or consequences of these tests, but rather out of pure jealousy and rivalry. Victor believes he can accomplish this by succumbing to a messy overdose, while Eli believes he can create a controlled environment in order to slow his heart rate to the point of nearly flat-lining. As the experiments continue, with success, more and more chaos ensues, and we see what it’s like when two people attempt to play God with their lives and those around them.

Untapped potential and superhuman abilities? Perhaps these two could’ve, I dunno, stayed in school and cured cancer or something. They were both arguably smart enough to become amazing men, and instead they just…well, I suppose you’d have to read the book yourself to find out what happens to these two young men.

On another note, I wanted to continue the conversation about untapped potential with another creative project I came across. This one also came about when my sister jokingly asked me “Why don’t you get into computer science? Make a video game or something.” Now, if anybody knows me, they know I absolutely abhor math and science form a professional standpoint. I say this fully aware that I just went on and on about a book involving medical students, but, you will never catch me learning how to code in Python or anything like that. However, my sister did spark an idea in me that led me to a pretty worthwhile investment (if you can even call it that; I spent maybe 20 bucks on this only.) Anyway, check out Dreams, a video game that is essentially a game creator system published by Sony, from the creative minds behind Little Big Planet.

It’s SO heckin’ cute!

It’s a weird concept to explain on paper (or screen?) but basically, the game allows you to utilize mechanics found in video game development engines to create your own video game projects! In Dreams, tutorials on the development of levels, characters, and stages are optional, as you are also given free range to test out and play other creations made by other users. Whether it’s a remake of Super Mario 64 in the Sony game engine, a test run of an original video game character’s animations, or a completely rendered cinematic of the Batman: The Animated Series intro. There are also music-based projects, like synth machines and piano rolls, and visual environments used for background noise and concentration, like study beats! There’s even some weird remakes of Tommy Wiseau’s The Room, but that’s for the meme-loving gamer.

So Much Power and Potential In Dreams

Speaking of gamers, if anybody is looking for any good light-hearted satirical humor tailored to gamers AND politics, check out Ace Watkins’s podcast, The Ace Watkins Presidential Hour. Their latest episode features Ace Watkins and his team as they discuss Hillary Clinton’s endorsement of Joe Biden, weigh the pros and cons of drinking bleach, and talk through what grinds their Metal Gears. So, ya know, just another President candidate, spittin’ stuff that’s quite normal in comparison to, ya know, those in Office.

I do want to give a big thanks to my sister who, without her finding my copy of Vicious and her inspiring me to try out Dreams, I wouldn’t have had anything to discuss today! So, for that, I’m going to shout her out, my immensely supportive pain in my ass sister. Love ya. Stay safe, folks.

“Stars and Monsters: Tales” Announcement

Hiya, folks! I’m finally back! I wanted to post an update about some things on this blog, with how I’m going to organize things here and how regularly I’m going to post. I only realized I needed to do this because I had two weeks where I had started posts for Stars and Monsters, one Arrow related and one Bojack Horseman related, and failed to finish either, and have spent what free time I do have working on these projects that I’ve hardly mentioned. That being said, this post will also address what these projects exactly are and such!

In regards to the weekly post format, I may have to just start posting whenever I’m available instead. I found myself struggling to meet my “post-every-Wednesday” schedule and end up posting, you know, weeks later or something. Also, I don’t always post on Wednesdays either, so posts will just start coming periodically. And with that, I want to share what has been keeping me busy these past few weeks!

The Dark Within Us is my upcoming fantasy sci-fi story on Wattpad. It follows 17 year old Ronnie Reid, a kid from Chaseville, California, as he joins a band of monster slayers on a journey through a hidden dark world. It’s sort of going to be like a novella, one that touches on what it means to find a family, and to discover the truth about your life for the first time ever. This is going to be the first part of a trilogy that follows Ronnie and the rest of his family as they encounter entities of darkness and evil in the world. So far, part one of this trilogy is in its early stages of development, with a prologue available to read on Wattpad for free right now!

Beat Inside My Soul is an upcoming sci-fi animated series that follows a group of teenage ravers who gain the ability to weaponize sound from a new deadly party drug. The teens, led by by thriving DJ Simon Bates, unite their abilities and efforts to stop a drug epidemic. With the story in the final stages of development and in the early draftings of the screenwriting process, I am also reaching out to animation designers, musicians, dancers, and other artists to help develop visuals for the animated series. My hope is to have a finished script for the pilot pitched to animation studios or streaming services like Netflix.

“Anomaly” is an upcoming sci-fi superhero comic series that follows Seth Gibson, along with his best friend Jordan, and his little sister Reina, as he learns to harness his newly discovered ghost-like abilities, and fights to take down a local street gang called Erebus and their leader, Adonis. This crime action series touches upon trauma, sexuality, addiction, and other themes. Once I’ve secured artists to work on at least the first comic issue, I hope to pitch the series to some comic book publishing company, or perhaps just post online as a web comic, maybe on Webtoons.

These stories all take place in different points in time, with The Dark Within Us having early 2000s setting, Beat Inside My Soul taking place in the 2010 era, and Anomaly taking place in the 2020s. At some point, these stories will address their connections with one another.

With these projects being lined up, along with this blog, I’m going to start posting updates on each of these stories through this blog, with the occasional fanboy posts about other stuff being released! One that I’m excited to write about is Harley Quinn – both the new movie AND her animated series in DC Universe. We’ll also talk about other stuff, other music, shows, and Doctor Who too! OH GOSH Doctor Who is so good right now.

Anyway, out of the two projects, I do have one chapter up for The Dark Within Us and a link to music for Beat Inside My Soul, which also just features my music made under SyckBeat. There is one song, a mashup, made for the animated series posted on there as well, so check that out! Will post again soon when I can. Thank you, everyone, for keeping up with my erradict posts and all that jazz! Stay amazing, folks! ✨

So, a Mandalorian and a Witcher Walk into a Bar…

Greetings! Hope everyone had a lovely holiday season. Classes start up again soon, and people are getting back into the work grind, and I have been ITCHING to get through the week and find time to write another post. I was debating what the first post of the year should be about, but after having went through all of The Witcher on Netflix and slowly watching The Mandalorian on Disney+, I realized what I had to talk to you guys about.

It’s no secret that these two shows started to take the world by storm, really. With Disney+ being a big step as far as streaming services go, getting all of the content that Disney now owns onto one platform for families was exciting. That being said, majority of the content really is just for families. Like, The Simpsons are there, and it might be the only FOX property as far as I know (which is weird because they don’t even have FOX’s X-Men movies or anything, just their old cartoons), but majority of the content really is tailored for family oriented viewers and, like, a stupid amount of unscripted series and documentaries. Like, this might very well be a streaming service for your grandparents. That being said, Jon Favreau’s The Mandalorian fits in that demographic and then some, seeing as it’s an expansion of Star Wars lore (your grandparents’ franchise), while also creating a solid and enjoyable series for fans who pretty much know nothing about Star Wars. I’ve considered myself a casual fan of the series, having seen all of the movies excluding the latest (just haven’t had time), and I absolutely adored The Mandalorian.

“It’s easier to lie with this helmet on.”

There are really two kinds of viewers watching the show who know nothing about Star Wars. You’ve got people who start the series because of the hype it’s gained and go in entirely blind and find that they really can enjoy it without all of the context of the Star Wars universe, because what’s needed to be understood is in the series anyway. You’ve also got the people who want to watch the series, but believe that watching the Star Wars movies will enhance the experience and is almost required. That being said, I don’t think that’s the case, and I think that’s what made this series a real treat.

“This isn’t much of a Star Wars easter egg but rather more of an E.T. reference.”

On the other side of the nerd spectrum, you have fans raving about Netflix’s The Witcher. Now, not much needs to be said about Netflix at this point, it’s been around, it might always be around, and right now it’s Disney+’s biggest contender (sorry DC Universe, maybe just market your service a little better, because I’ve only ever seen ads for Harley Quinn on Adult Swim, and that’s after the platform has been out for over a year), and most of their credit goes to Lauren Hissrich’s The Witcher being one of the most streamed shows to date. That title also went to The Mandalorian for a while, both of which topped Stranger Things, which is a pretty big accolade to earn. Now, when it comes to viewing The Witcher, which is based off of a video game series that is based off of the book series, it kind of feels difficult to encourage anyone to say that they need to go to the source material to enjoy the series, because that’s not the case. I didn’t play the games, even though they seem super rad, and I haven’t read the books either, but this show was REALLY neat.

“I just think it’s neat!”

That could have something to do with the queer subtext I got to enjoy between Geralt, the titular character of the series, and Jaskier, the bard who would GLADLY toss a coin to the Witcher’s taut ass, or just seeing Henry Cavill shirtless that many times (as opposed to a dude who literally never removes his armor). It could have also been seeing these female characters completely owning the series, more so than Geralt himself sometimes, especially when there’s SO MANY OF THEM! I didn’t know who I desired to kick my ass more, the Princess Ciri, her dope (but arguably racist) grandmother and Queen Calanthe, Yennifer the Witch, or Renfri, the chick from the first episode that never come back (she might’ve been my favorite, hot take!)

“Well, I can’t think of any reasons why we SHOULDN’T have sex…so there’s that.”

There was a lot to enjoy in both of these series. A lot of which the shows have in common (sexy angsty freelance dads earnin’ big bucks while becoming adoptive fathers), but that isn’t to say that these shows don’t have critical differences (like one being in space and the other being in a fantasy realm).

Both The Mandalorian and The Witcher both feature protagonists who embody the warrior archetype; they both are seemingly the last of their kind, and carry the weight of that with them, which leaves these two with walls built between them and other people. They have been betrayed, and have had their trust broken, and now live their lives as nomads who kill for coin and credits, leaving a trail of bodies in their wake and tales of their endeavors told in rumors and songs. That is, until their journeys go from simply taking jobs in self-contained anecdotes to bringing children into Mando and Geralt’s arms. Mando is tasked with killing the child, but he’s not a heartless monster, so he decides to save the child! Geralt has no intention of having a child, but he sort of stumbles his way into becoming a godfather of a princess in comedic Stooge fashion.

Now, the only reason I’m not writing about how these shows are pretty much the same thing as one another and giving them shit for it is because, well, these shows really aren’t the same at all, despite the warrior-dads thing. And yes, it goes beyond the surface and is more than just the sci-fi and fantasy aesthetics. In terms of what the shows do, they have episodes that each focus on a singular event occurring, like, “The One About The Prison Break In Space”, or “The One Where I Join A Quest To Slay A Dragon”, which makes it feel as though each of their eight episodes truly are a single chapter, or a peek into these character’s lives in a journal of sorts. The structures of these shows are what really get me. In The Mandalorian, Mando doesn’t meet the child until the end of the first episode, which is sort of the inciting incident, but from there, the story progresses forward in a way where time isn’t necessarily tracked, but we know that everything is occurring sequentially. It doesn’t feel as though there are big gaps or time jumps between scenes or episodes aside from, but we don’t really get much detail as to how much time has passed. This doesn’t make for a jarring experience, though.

However, when one is viewing The Witcher, we are watching Geralt’s story occur, along with Ciri and Yennifer, two of the wonderful female characters I mentioned earlier. Now, each of these three characters’ stories all start at a certain point. Geralt’s story starts with him meeting Renfri in a village. Yennifer’s story starts with her as a hunchback being sold to witches and inducted in their academy of sorts. Ciri’s story starts with her fleeing her kingdom after it is conquered by an enemy kingdom (who don spooky black armor that couldn’t scream “we’re the bad guys” any louder). Now, as these stories progress throughout the episodes, there’s a lack of an overlap until a certain point. Like, we’re seeing things happening to Geralt, and to Yennifer, and to Ciri, and they all go places and do things, and for a while, we’re like “huh, when do they…?” and then we start to get to points where certain characters that, say, died in certain episodes reappear later, and interact with Geralt, or Yennifer, or Ciri (the Big Three, so to speak), and then it starts to dawn on us…the show’s structure isn’t linear at all.

See, that’s what got me. The Witcher is told from three perspectives, all of which pretty much start at different points in time, and only one of which is actually taking place in the present. This isn’t explicitly clear right off the bat, which might’ve confused some viewers, and would’ve upset me if it hadn’t all come together by the finale. It isn’t until the last episode that we see these three characters make it to the same point and place in time (and no, I don’t mean TIME TRAVEL, that’s another post I’m writing soon). The last episode is also when we finally get a child in Geralt’s arms, which is a wild contrast to Mando’s parental journey. One gains a child by the start of the show, while one gains a child by the end. One follows a linear plot, and the other jumps between years in the story. Favreau and Hissrich both follow drastically different writing structures, but somehow utilize wildly similar formulas in how their protagonist’s arcs progress, which in turn has created the new archetype we all love and appreciate now: grumpy warrior dad!

“Bonus eye candy: Aunt Cara shows us her GUNS!”

Anyway, that’s all I really have. I’m not over here writing essays, so this might be the cleanest wrap-ups I will write for a while. If you’re wondering which of the two my favorite was, it’s pretty close, but I’d have to go with the show with the dude who was naked more often (Sorry, Disney, your family-oriented marketing is wholesome, but that’s all it is). But in all seriousness, The Witcher is a series I went in completely blind for, which might of left me with a lot less expectations than I did for The Mandalorian. I knew Star Wars, so I might’ve expected a certain type of show, and despite thoroughly enjoying the series, The Mandalorian never made me go WOW (except scenes showing off Cara’s guns…as she holds her rifles and stuff). I did go “aw” a couple of times, but that’s what I’m talking about. It wasn’t saucy like I had hoped. The Witcher scratched that naughty itch for me, while also having me go “WAIT A MINUTE” when the plot lines converged, leaving me pleasantly more entertained than the former. That’s just my hot take, and anyone else’s take is just as valid! Let me know some of your thoughts. Stay lovely, folks!

(Sorry, I don’t have a punchline for the title. Maybe comment some if y’all think of one.)

A Blog by Sameer Diab

Hey there! It’s like the blog says. My name is Sameer Diab, and if you stumbled across this page, you’ll see what I’m all about. I’m a freelance writer and musician. I’ve been making content for almost ten years, but after all this time, I have finally gotten around to placing all of my original content in one place. All of my writing, both fictional and fan-fictional (some of you will eat that up), and all of my music, both original tracks and bootleg remixes, will be found here on this site. On this blog, I’ll be posting my creative content, but old and new, and also cover new shows, movies, books, and a whole lot of good stuff. Stay tuned!

Stay Lovely – ya boy