Scissor Seven: High Action, Mellow Vibes

Hi, folks! I’m back, after a long week and an even longer Wednesday. After the blog was updated late last week, I had hoped to get back on track with uploading weekly every Wednesday. That being said, I officially have been brought back into my day job and am back as a full time employee, er, essential worker, whatever you’d like to call it. With that, my blog’s weekly schedule with be a little less consistent, but ideally will still be occurring weekly. I have more of a fluff piece over a fluffy animated series. This one is a neat little Mandarin anime, a Netflix Original titled Scissor Seven.

Scissor Seven – A Hardcore Slice of Life Shonen

Mild Spoilers Ahead!

I’m sure at least one of my readers is going to ask themselves “Gee, I wonder where this guy found this obscure anime?” and to be quite honest, there’s always this innate urge to delve into something obscure. For some, that may be Neon Genesis: Evangelion, or maybe it’s Cowboy Bepop, or even the wickedly metal and weird anime series Devilman. Today, after it’s remarkably well received second season debuted, I decided to shed some light on the beautiful obscurity that is Scissor Seven. It follows the lead, Seven, as he makes his way as a skilled barber and aspiring assassin, with his telekinetically controlled pair of scissors, as he pairs up with Da Bao (Seven’s mentor, also is a chicken) and other wacky characters, ranging from quirky Chicken Island locals to dangerously armed foes and cyborg scientists. Despite the action set pieces and epic clashes executed in each short episode, the series also delivers lighthearted humor and witty casual storytelling.

A Peek at the Comfort Show

On paper, Scissor Seven may not make its targeted audience very clear to most viewers, but that’s the beauty of the series; it’ll draw you back in time after time with a laid-back narrative and goofy plot points, but the fun kind! It’s not like the show is comprised of filler or anything, because the stakes never arise from the high tense action sequences. No, no, that’s the misconception of this slice of life animated series. No, the scenes with the most impact are usually the quieter moments, the calmness and the relaxing aspect that comes from a series that pokes fun of itself, while also creating heartwarming character development. It comes from moments like Seven using his expertise in cutting hair and assassinations to cut a young bride’s hair on her wedding day, or turning down the contract to kill a young girl, whose solution to her terminal illness was to hire a killer to put her out of her own misery. Little things like this. It really tugs at your heartstrings in the best way possible.

A Series that Has Fun With Its Action

Some of the best action sequences are the ones where the animation artists have the most fun with it. You can see the passion put into a project like this anime, and it definitely shows from the immense creativity put into shots, like the one above. A duel in which Seven utilizes a friend/rival of sorts to take on an enemy in classic Street Fighter style art, or a guitar playing dog named Mad Bark using rock as a form of fighting, are just a few of the awesome creative directions that this series has taken to make the “Shonen” aspect of the series some of the best content I’ve seen in a really long time.

An Endearing Presentation of Art

This show has the prettiest presentation of artsy shots like this one up above, and even better music, namely Mad Bark’s romantic rock ballad that he sings to his feline love interest, and the intro/outro music themes. After having binged the entire first season, you can see how the team behind the series can manage to create such gorgeous set pieces and wonderful music without the largest budget in the world. This ain’t no Naruto or My Hero Academia, but it’s a darn good series that can rival those shows by its execution in art alone.

Action as Pretty as its Designs

Now, with the “slice of life” aspect covered, let’s talk about the action that satiates my hunger for stone-cold anime fights. Again, this isn’t a typical Shonen written by a big budget studio. That being said, the animation team does not hold back when creating action sequences to remind you of why you stuck around in the first place. The action is seamless, the music is always perfectly matched with the stunt choreography, and the variety of characters and character designs allow for the writers to utilize consistently fresh action after every 12 minute episode. Between each type of fighter that is introduced in the series, there is at least enough character development hold up at least four seasons of this action anime, with the slice of life aspect drizzled all over, and to be quite honest, I hope this series continues with the most success. Give it a peek if you’re able to on Netflix, because if this show didn’t already cross your radar at some point this year, it definitely needs to be.

Scissor Seven: Season 2 Now Streaming

Hope y’all have been doing alright, as well. Times are really weird right now and we’re all doing what we can do v i b e 💫 and decompress to relax. If any of y’all are looking for a good Twitch stream to check out some chill vibes and fresh gameplay of things like Fortnite, y’all gotta check out my boy at twitch.tv/drippyxthree. I also have a new song out, the first time I’ve done any music in 2020! It’s a new wave, folks, and it’s always good to mellow out the best y’all can. Stay safe, and stay toasty, y’all 🤙🏽

“Stars and Monsters: Tales” Announcement

Hiya, folks! I’m finally back! I wanted to post an update about some things on this blog, with how I’m going to organize things here and how regularly I’m going to post. I only realized I needed to do this because I had two weeks where I had started posts for Stars and Monsters, one Arrow related and one Bojack Horseman related, and failed to finish either, and have spent what free time I do have working on these projects that I’ve hardly mentioned. That being said, this post will also address what these projects exactly are and such!

In regards to the weekly post format, I may have to just start posting whenever I’m available instead. I found myself struggling to meet my “post-every-Wednesday” schedule and end up posting, you know, weeks later or something. Also, I don’t always post on Wednesdays either, so posts will just start coming periodically. And with that, I want to share what has been keeping me busy these past few weeks!

The Dark Within Us is my upcoming fantasy sci-fi story on Wattpad. It follows 17 year old Ronnie Reid, a kid from Chaseville, California, as he joins a band of monster slayers on a journey through a hidden dark world. It’s sort of going to be like a novella, one that touches on what it means to find a family, and to discover the truth about your life for the first time ever. This is going to be the first part of a trilogy that follows Ronnie and the rest of his family as they encounter entities of darkness and evil in the world. So far, part one of this trilogy is in its early stages of development, with a prologue available to read on Wattpad for free right now!

Beat Inside My Soul is an upcoming sci-fi animated series that follows a group of teenage ravers who gain the ability to weaponize sound from a new deadly party drug. The teens, led by by thriving DJ Simon Bates, unite their abilities and efforts to stop a drug epidemic. With the story in the final stages of development and in the early draftings of the screenwriting process, I am also reaching out to animation designers, musicians, dancers, and other artists to help develop visuals for the animated series. My hope is to have a finished script for the pilot pitched to animation studios or streaming services like Netflix.

“Anomaly” is an upcoming sci-fi superhero comic series that follows Seth Gibson, along with his best friend Jordan, and his little sister Reina, as he learns to harness his newly discovered ghost-like abilities, and fights to take down a local street gang called Erebus and their leader, Adonis. This crime action series touches upon trauma, sexuality, addiction, and other themes. Once I’ve secured artists to work on at least the first comic issue, I hope to pitch the series to some comic book publishing company, or perhaps just post online as a web comic, maybe on Webtoons.

These stories all take place in different points in time, with The Dark Within Us having early 2000s setting, Beat Inside My Soul taking place in the 2010 era, and Anomaly taking place in the 2020s. At some point, these stories will address their connections with one another.

With these projects being lined up, along with this blog, I’m going to start posting updates on each of these stories through this blog, with the occasional fanboy posts about other stuff being released! One that I’m excited to write about is Harley Quinn – both the new movie AND her animated series in DC Universe. We’ll also talk about other stuff, other music, shows, and Doctor Who too! OH GOSH Doctor Who is so good right now.

Anyway, out of the two projects, I do have one chapter up for The Dark Within Us and a link to music for Beat Inside My Soul, which also just features my music made under SyckBeat. There is one song, a mashup, made for the animated series posted on there as well, so check that out! Will post again soon when I can. Thank you, everyone, for keeping up with my erradict posts and all that jazz! Stay amazing, folks! ✨

A Post-Apocalyptic Bundle of Joy!

Hey folks! Hope everyone is having a great week. I know I am! Met up with some great people, just got my first paycheck, have been in a really great state of mind, and have gotten to enjoy some REALLY GOOD television this last week! Just peeped the end of Crisis on Infinite Earths and Arrow‘s series finale, and I have THOUGHTS! Also came across some good animated shows recently, notably, Kipo and the Age of Wonderbeasts.

Wonderbeasts is a wonderful world!

The show is a Dreamworks show, so expect the beautiful worlds that they create, like She-Ra’s world designs, with a whole other level of fantastical imagination. Kipo is set in a world where humans live underground now, and at first, we don’t know why, but quick into the first episode of the show, we learn that the surface world is now overrun by mutated monsters, or “mutes” as they’re referred to in Kipo, or as I like to call them, “the Wonderbeasts”, as per the wholesome title! The mutes are the sole reason for roping me into this new age that Kipo exists in, and you’re amazed EVERY episode when a new mute is debuted, from lumberjack kittens and mafia frogs, to lesbian metalhead snakes and a sentient body of water.

Kipo & Pals are the cutest!

This show also does something I didn’t think would happen for me, which is create another group of friends that I’d love as much as I did with She-Ra‘s group. I fell in love with the dork that is Kipo, the killer smol bean Wolf, and the hilarious pairing of Benson and Dave. They all have such lovely chemistry, going from a group of kids just trying to survive through an adorable post-apocalyptic world to becoming a found family that would fight tooth and nail for each other. Not to mention they are all POC, one is biracial, one is LGBTQ+ AF and I love it!

A soundtrack that rivals Into the Spider-Verse

A reason I stuck with this show, not knowing it should fill my She-Ra shaped hole, is the soundtrack. The music is SO good, and when I say it’s on par with Into the Spider-Verse, I am not exaggerating. The music is hip-hop influenced with some songs taking folk country inspiration and even some rock and R&B too! My favorite thig about this show, which I wished more shows would do, is they acknowledge the dope music that comes on in each sequence by having a character play it off of a cassette tape. It’s smooth i how it transitions from a plot detail of “Oh, I’ve got the PERFECT track for this trip,” to the immersion of an action sequence with hype music, similarly to Spider-Verse and their ost.

Dreamworks does She-Ra action but really well

As I said before, the action is stellar! No cap, it is by far the most interesting and visually exciting action oriented animation that I’ve seen from an American animation studio since Young Justice, going as far as to almost borrow some anime visual designs as well! After just coming off of MFZK, this show does that thing I loved from that movie, which is do the most dope action sequences with banging music! If there’s any good show that you wanna start that is lighthearted, but carries stacks, while taking you on an wondrous journey of imagination with an amazing setting and fun characters and sick beats, then check out Kipo and the Age of Wonderbeats on Netflix!

WTF is MFKZ?

Hi there, folks, it’s ya boy. I’m back after a week and, honestly, I feel bad. I told myself I’d post weekly, but I just had a rough time trying to piece together a post last week, so I needed some time to let some ideas mull over. I was tempted to do another Crisis on Infinite Earths post after the Arrowverse crossover ended, but I might hold off on making another big fanboy post about that for a while, just to let things sink in.

Instead, I wanted to talk about what I was aiming to write about last week, which is this animated sci-fi action movie on Netflix called MFKZ. It was originally an animated short called Operation: Blackhead, then a comic series that went by MFKZ, which all got made into this collaborative anime styled movie between a French production company and a Japanese animation studio. It’s directed by the same anime director that worked on Batman: Gotham Knights (which was anime-inspired, at least) and a French rapper.

Now, when you ask anybody about this movie, they’ll tell you one of two things. Either you’ll be told that the movie is a must-see for its visuals and animation style, which I agree with, or you’ll be told to not watch this movie because it’s an incoherent mess of a plot, and a ludicrous waste of time, which is, like, partially true. This movie is an aesthetically pleasing trip with sick visuals and an amazing soundtrack, with the occasionally jarring sequences that are definitely meant to act as a sort of vibe check for the viewers, as a sort of way for the movie to ask “Hey, are you still with us?”

Welcome to Dark Meat City, Mutafukaz

So, if I were to provide a synopsis for MFKZ, I would describe it as sci-fi action/crime thriller about this cartoony kid, Angelino, and his equally cartoony flaming skull headed companion, Vinz, as they endure misadventures through the crime-infested corrupted Dark Meat City, which is this weird urban combination of Los Angeles and São Paulo. We see what it’s like for these two outcasts living in a city with issues like poverty, gang-related crime, and oppressive police forces, all through the perspective of an anxious and self-conscious kid. Looking at the world from this viewpoint makes the movie really enjoyable for the first half of the time, considering how refreshing this sort of environment is for an anime styled flick.

Lino’s head throbbing like this is such a mood.

The characters are my one of my favorite bits about this movie, even though some people argue that the characters aren’t written well at all. You’ve got these three, the most goofy looking cartoons, reminding you to not take this movie so seriously, even though there are moments where the movie asks you to do so. With the orange cat named Willy, you’ve got the friend in the trio that is a literal vibe killer, banging on your front door shouting loud enough for your neighbors to hear. He’s the character that is kind of just…in the way of everything? Like, he’s the friend that’s just there, but you go to when you need a favor or something. His first appearance sums this up a lot. Aside from him, you’ve got Vinz, the flaming skull. He’s voiced by Vince Staples, so, cool tidbit there! He is Lino’s best friend (and arguably is in love with Lino, but that’s another conversation) and is sort of the ride-or-die that you grow to rely on. Vinz lives with Lino as they both struggle to make their roommate situation work, which is actually a funny scene with well written irony sprinkled there, but as plot progresses, Vinz sticks by Lino, regardless of what happens, and believe me, a LOT happens. He’s the MVP for sure.

Lino, the hero and prodigal messiah or whatever, is the guy just trying to live his life, and gets thrown into battle with sketchy suit thugs, local street gangs, and a conspiring government made up of aliens in disguise. He’s arguably a poorly written character, but I don’t necessarily agree with this, mainly because while others see his lack of interests and goals make him a bad character, his entire character is written around the fact that he doesn’t know what he wants. There’s this cute anime-looking scene where the trio is resting after a chase sequence with the suited thugs, and as they see shooting stars, Willy asks Lino what he’d wish for, and the guy says “I dunno…I just wanna be a somebody.”

And that’s sort of where Lino’s character is rooted in. He’s anxious because he’s lost his job, he’s on the run all of a sudden after a run-in with thugs in suits (which, after watching the scene during several rewatches, I’m convinced it all happened because Lino was genuinely paranoid and spooked the thugs), and he’s losing control over his life, control over these prophetic visions he gets (which leave him convinced he’s tripping, just like I did my first time watching) and over powers he starts to gain after each violent encounter (these moments are depicted with a shot of his heart bursting into flames in his chest and his eyes grow animal-like, which was actually a really cool detail for each action sequence). Lino is a mess from the start of the movie, because he and Vinz want to leave DMC, but they don’t. Lino says something along the lines of them having “No jobs, no money, no car, ain’t got a shadow of a prayer,” and it sort of sums up Lino’s anxieties. As the movie progresses, we see Lino exhibit these anxious tendencies, starting from an accident and him losing work to gaining these visions, trippin’ out, convincing himself that police and priests are monsters (more on that later), to taking charge in these encounters with thugs, cops, and other adversaries, and you can see the anxieties in those situations shift from him to Vinz, the only other person with him throughout all of this, and Lino ends up, as he so cleverly puts it in the sickest car chase ever, “fucking handling it”.

Who Are Those Mysterious Masked Wrestlers?

Okay, I mentioned the visual aesthetics of this movie, but what if I told you that there was LORE? Yes, we get a brief scene at the beginning of the movie that alludes to, like, “plot,” but then the first half really is just focusing on Lino and Vinz getting through everything. Towards the middle of the movie, the plot shoves lore at you by introducing the antagonist, which is a government suit who is actually the leader of an alien race called the Macho (which might be commentary on toxic masculinity, but that could be just me), and we also have the Luchador sequences, where they’re wrestlers, but are also, like, ancient guardians tasked with fighting against evil, but they are waiting on ANY evil to emerge? And they randomly team up with a scientist (who is visually very cartoony, which makes me wonder if using cartoon-looking people is an artistic choice or if there’s lore attached to that too) who defects from the Macho scientists or whatever, and there’s stuff there. Meanwhile, we learn the origin of Lino’s powers, stemming from being half Macho (it’s why he’s a black ball headed cartoon I think) and his mother died at the hands of some enforcer as she protected Lino and his father, who is Macho, but…takes the form of a dog with an eye hanging from his eye socket? So Lino MIGHT BE HALF DOG? ALL UNCLEAR.

See, this is the thing that people begin to complain about. The story makes no sense when you REALLY buckle down and try to digest the lore and plot that’s handed to you after a while, because a lot of it is just weird. Like, you can tell there were a lot of ideas and creative story elements at some point, but they really don’t mesh well after a while. Luckily, none of this is the movie’s strong suit.

This Is Why I Watched MFKZ

The action is why we stay for this film, though, along with the music it’s accompanied by. This is what took me a while to really figure out. The movie is great for so many reasons, while also being stupid. Watching it is most definitely a trip as you start being spooked around the same moments Lino gets spooked with dark visions, trippy visuals, feeling a wave of mild hypnosis with a cleverly done black and white hypnotic sequence, but the real fun lies in the action. As I mentioned, Lino gradually becomes more and more capable with each action sequence, with the first stemming from true paranoia as he takes down threatening thugs stooge-styled to horror music, followed by a sick dubstep fight sequence with Nazi-looking SWAT police (which confuses me because the next action sequence has a normal looking police officer on the street, which might be the first time the local authorities got involved in the antics in the film), and then we get my favorite scene, the ICE CREAM CAR CHASE (the music makes the scene the best, with the synchronizing of the ice cream truck’s music with a sick beat), and, like, a few scenes shot to hip-hop and reggaeton, which ALL are great. Even the songs playing in these character’s downtime rules! It’s calming, it’s urban, it sort of brings the world to life a little more (excluding mythical wrestlers and alien goo monsters).

The soundtrack for the movie really proves to be the highlight of the movie, which really is only enhanced by the action sequences. That being said, the story might’ve been written AROUND those scenes, but I can live with that. Visually, the movie is great, and like I said, there are a lot of cool creative story elements thrown into MFKZ. I wish I could go on about the romantic subtext between Lino and Vinz, the Macho-alien being an analogy for toxic masculinity, and the subliminal details that all seem to allude to entirely different ideas that most viewers would ignore because of the mindfuck that the movie is, but as I went through my notes that I jotted down about the plot during my second viewing of the film, I realized how much of a mess those thoughts are, and as much as I tried to capture and articulate the ideas that MFKZ is trying to express, it’s just so hard to do. So we’ll just say that the movie is a fun time if you maybe, like, smoke a bowl, turn your brain off for an hour and a half, and enjoy the visual trip and sick music.

Anyway, stay tuned next week because I’m gonna go on about ANOTHER amazing animated property that utilizes music in a similarly sick fashion, but maybe better!